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Selasa, 31 Juli 2012

Noted from Profo Wons


Profo Won's history:

As quoted from his own words:

- I was 7 around 1982 and my cousin was part of the breakdance scene
He taught me and Rob (Rob Nasty my twin brother)how to do the worm and wave and stuff
lil things here and there
Then around 1986 Breakin was considered played out for us in the Bay
At that time people were gettin into party dances like the smurf, the pacman, runnin man stuff like that
That was around 1987 to 1989

Rob and i started to play around with those dances
but it wasnt until 1991 that the dance really talked to us
In that period it wasnt really Bboyin yet
We had a movement which we called Housin
(Not house dancing)
The fasion was more of a tribal look afrocentric look
panchos afro hair
like how Tribe Called Quest looked like in there first album
actually we didnt have crews we had tribes like

Jughead Tribe
Bubala Tribe
360 Tribe
Jedi Clan
Raggamuppets
StankWinos

just to name a few

There was this local HipHop tv show called Home Turf
on there featured Dj Qbert and his dancers called the KnucleNeck Tribe was eventually became West Coast Rocksteady (one of the first chapters of RockSteady outside of NYC)
One guy that myself, Bboy Wicket and Remind actually all of us was a influenced by a Bboy named P-Kid
He had a really dope style and mixed his powermoves in there he was kinda like our Spy of NorCal

around 1993 i would say was the Return of the BBOY style
where it was strait influenced by Beat Street
Sean Ortiza member Sidewalk Breakers a crew from San Jose from the 1980s came back
and at that time he was doing strait up combos
Flare-90-windmill headspin
we wernt used to that cuz all we saw was multiple windmills or headspins not combos

At this point came back the bboy Crews
from the 80s like

Rock Force Crew
Renegades Crew
Rock On Productions
UBC

And then the SIdewalk Breakers tape came out
A battle between the new SIdewalk and the orginal Sidewalk
(Poe One correct me if im wrong)
This tape was from 1985 and man it was crazy
Like guys that literally danced like Ken Swift, Crazy Leggs,
Buck 4
but they had advanced power
and the concept of stackin back then
even a spinal flare that looked like an airflare
this tape influenced a Elmer from Rock Force
and he did combos no one did before that we saw
and he influnced Jazzy J from the Renegades
and Jazzy J influnced a whole bunch of people
esp Bboys in Korea cuz his combos where to crazy

At that time in my research no one had a scene in North America
Like New York and LA had good bboys
but no scene where there was a jam every weekend
We did
The Bay Area was having there Hip Hop Golden age
1991-1994
Mcs we had Hiroglifics Souls of Mischief
Djs we had Mix Master Mike, Qbert, Apollo, ShortKut
Graff writers we had a legal wall called Psycho City were everyone from around the world would come in and do a piece or throw up
Bboys a jam every weekend where i would see Crazy Leggs
Zulu Gremlin and Lil Ceasar

this is all when i was 16 to 18 years old
so i can say i saw it before the competitions
when girls (yes girls used to go to all the jams)
used to shout your name as you go out
Guys in the corner with their black books doin throw ups
and Dj Qbert was spinnin at these jams

those were the days
i got a lot more but ive said enough
till next time -

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